• what writing a book is like

    As you already know, I’m writing a book. This sounds much more straightforward and easy than it is.

    Writing a book is actually more like deciding to enter a wicked-hard race even though you’ve never run a race before. But everyone tells you you can do it—No sweat, really, they shout cheerfully from their comfy easy chairs—and they keep insisting that you can absolutely do it, for crying out loud, until you actually start to believe them, partly because you think it might be fun to run a race and partly out of curiosity—could you actually do something that difficult?—and partly because you have a sneaking suspicion that you might be more amazing than you think.

    So you take a couple deep bracing breaths, do some athletic-looking leg lunges, and start running. But something doesn’t feel right, and that’s when you look down and realize that you don’t have feet. Oh crap, no feet. So you start crawling—the race is happening, you can’t quit now—but the pavement hurts your knees and gravel gets stuck in the palms of your hands and you can’t really see where you’re going and that’s when it dawns on you that this is absolutely not invigorating. It’s demoralizing and utterly wretched and how long is this race supposed to be anyway? And what if you don’t actually have what it takes to run the race?

    As you gimp along, half in the ditch, half out, ruing the stupid day you let your stupid ego talk you into this stupid race, a fancy electric car purrs by, followed by a ragey, big-ass pick-up truck and you choke on their dust and fumes and your eyes water and you start to wonder what’s the point of running anyway when there are so many faster ways to get somewhere. And that’s when you notice that there are no other runners in this race. It’s just you, by yourself, and suddenly you feel sad and pathetic but also just a teeny bit noble for doing something that no one else can see because maybe you are a little bit awesome anyway? Even if you don’t have feet?

    And then you look behind you and see tracks. Not sneaker tracks, because obviously, but snakey tracks. They’re swervey and smooshy-looking and dishearteningly indecisive, but they’re yours and you’re like, Cool, I actually moved. And then you’re like, Well heck, inching along isn’t so bad as long as I can take however many breaks I need.

    And then you notice that you smell honeysuckle and the breeze feels tingly-cool and that mist over yonder ridge—the ridge you can see when you peer under your left armpit (you’re crawling, remember)—is so ethereal that it almost convinces you that magic really does exist. And then you realize that as long as you don’t look straight ahead—and if you cover your eyes and hold your breath when the cars whiz by—this going-somewhere-slow-all-by-your-lonesome deal isn’t actually all that bad. Gives you something to do and all…

    That’s what writing a book is like.

    This same time, years previous: retreating, 2012 garden stats and notes, blasted cake, the best parts, whooooosh, lemon-butter pasta with spaghetti. on being green, hot chocolate, and Indian chicken.

  • calf wrangling

    Over Labor Day weekend, my older daughter took care of two neighboring farms. One of them involved just routine animal care, but the other one had a lactating cow which required hand milkings. She was to separate the cow from the calf in the evenings, and then, in the morning, milk the cow before turning both cow and calf out into the field together.

    The first evening, I drove her to the farm, my younger son in tow. Since I didn’t know how long the chores would take, I brought a book to read, but I never even got around to opening it. I got distracted by the darkening sky, the setting sun, and the guard llama.

    And then the calf refused to come into the barn with the mama cow. The kids chased the calf around the field, but calves are wily buggers, and very, very fast. So I set down my camera and joined the circus in the field. Here’s a small fact: for someone who has birthed four children, running while laughing and straddle-hurdling big grassy lumps of pasture does not yield good results. Just sayin’.

    My daughter finally tackle-caught the calf in the little shed at the far end of the field, but then she couldn’t get it to move. My son found a small piece of bailing twine. One-handed (the other with a death grip on the calf), she fashioned a halter, but when she finished, she only had about a foot of twine leftover. It didn’t give her much leeway, but at least she had something to hold on to.

    The calf still wouldn’t budge. My daughter tried lifting it. We tried twisting its tail like we saw the handlers do to the steers at the county fair. My son hollered and smacked it on the rump with a stick. Nothing worked, at least not consistently. So the only option left was to pull really hard and then, when the calf took off, to run as fast as possible alongside it without letting go and hopefully in the direction of the barn.

    In this elegant manner, the calf bucked its way across the field, my daughter at its side, hanging on for dear life. At one point they were sprinting toward me—I had gone back to the barn to open the gate—in a full-out run when the calf abruptly stopped and my daughter did a complete about-face, snapping her neck and back but never letting go and shrieking with laughter all the while.

    Finally, finally, she wrangled the calf into the barn and we headed back home, still giggling over our own private little rodeo.

    This same time, years previous: grilled salmon with lemon butter and oven-roasted shallots and pink jelly shoes, turtle plants, and fairy rings.

  • the quotidian (9.7.15)

    Quotidian: daily, usual or customary; 
    everyday; ordinary; commonplace



    A variation on tomatoes in cream: use half-and-half in place of cream (only because I had no cream), chop the tomatoes right before serving, and then pour the whole mess over pasta and top with Parm.
    A plate of spaghetti has never been more simple and true.

    Cherry tomato plants: the definition of excessive generosity.
    Upon waking: pulling up a stool to better hear an NPR story.

    Two boys, a dictionary, and bananagrams.

    Roof-top reading nook.

    Latest infatuation: creating structures out of cards.

    Apple smash: countrified baseball.

    They think it’s a toy.
    (Remember when they used to be content pushing around matchbox cars?) 

    This same time, years previous: regretful wishing, how to clean a room, almond cream pear tart, fruit-on-the-bottom baked oatmeal, the big night, and say cheese!.