• scatteredness

    It was last week that I started writing this post. But then I got distracted (can’t figure out why) and never finished it. At the beginning of this week, I added to the post and then deleted a whole bunch of paragraphs. Now it’s Wednesday and I’m gathering my wits about me long enough to hit publish and be done with it. Thank you for forgiving my scatteredness. (Spell checker, shut up. That is totally a word.) (Also, all photos are from the archives. Because scatteredness.)

    *** 

    I almost didn’t go running one morning last week. When I woke, the wind was pounding the house, and I hate running when it’s windy. It’s enough of a battle to move my legs; why complicate things by fighting the elements, too? But the air was warm and the sky bright. Might as well go and be done with it, I decided. On my way down the hall, I woke my older son—he’s been running with me most mornings—and we headed out.

    As we walked out the drive, my son announced, “I get to pick the route this time. Down the dirt road and then up the hills.”

    “No way. Those hills are nasty!”

    “It’s my turn to choose and you know it,” he said. “Let’s go.” 

    Normally, I have to walk the last part of the mile-long series of hills, but that day I practically zipped up them. At first I thought I’d just gone and gotten plain amazing, but then it occurred to me: the wind! It was the wind pushing me up those hills.

    Sometimes you think you’re amazing when you’re not. Also, sometimes the wind kicks your butt, and other times it still kicks your butt, but in a good way. You never know.

    *** 

    The other night I came home from rehearsal swinging, an edge of Rosemary still clinging to my attitude. All it took to set me off was one insensitive comment from my husband and I lit right into him. Poor guy, he didn’t deserve it (or not all of it, anyway), though he wasn’t exactly being the epitome of kindness, either.

    We went round and round, sharp-tongued and pissy, though we weren’t full-on angry. (At one point he accused me of using one of my lines from the play against him—I hadn’t—which made me laugh because bits of Rosemary talk have infiltrated my speech.) By the time he had finished his bologna and cheese croissant and I had downed my Riesling and an apple, we had mellowed. We switched off the lights and headed for bed. At the foot of the stairs I turned to face him. “Hon,” I said. “I know it’s really hard being you. I’m proud of you for sticking it out.”

    We both started giggling. “You make that up?” he asked.

    “Of course,” I said.

    And all was forgiven.

    *** 

    The other day I bought two boxes of brownie mix: caramel turtle brownies and peanut butter brownies. I’ve never learned to successfully make brownies from a box; it was high time I conquered this quintessential American treat.

    The turtle ones were so-so—I think I over-baked them—and ended up sitting on the counter for a few days before finally getting all the way eaten. The peanut butter ones turned out fabulous. I under-baked them, and, warmed up with a scoop of vanilla ice cream on top, they’re to die for.

    (My husband called them “fabulous” and then got embarrassed when I told him they were from a box.)

    *** 

    Speaking of failures: I’ve bombed two chocolate cakes in a row (this one and this one) and a poppy seed sour cherry lemon bread (this one). I’m getting irritated with myself.

    *** 

    I have not been cooking for my family. One night we had slaw from a bag, baked potatoes (white and sweet), and corn from the freezer. (That was the night my husband was scarfing a sandwich at bedtime.) Another night was mac and cheese, and yet another was toast and eggs. Another night was leftover spaghetti and anything else we could find in the fridge. Tonight…who knows. Pizza, maybe?*

    When I get home from rehearsal, I usually have wine and cheese—Jarlsberg is my current love—and maybe pretzels or pita chips. Or Doritos, yum.

    *** 

    Play Panic: we’ve hit the home stretch—one week till opening!—and a virus. I feel fine, but my voice is weak (I’m guzzling fluids like my life depends on it—Rosemary’s does—and trying to refrain from yelling at the children), so the director ordered a couple of us to stay home tonight. I’m tempted to stay up late with House of Cards, but no. I’ll have an 8 o’clock date with two Tylenol PM and hit the pillows at nine.

    *** 

    I never told you: The week that my husband was volunteering in South Carolina, Dobby got run over. We discovered him at night. I was bringing my older two children home from youth group and, as we turned into the drive, the car’s headlights swept over a furry body laying at the edge of the road. He was completely dead, blood smearing the road but body intact, which was a mercy.

    My daughter teared up and went straight to her room. Go dig a hole, I told my son. For the next half hour I watched his headlamp bob up and down at the bottom of the garden. When it was time for the burial, I went outside to hold the light while he loaded the body onto the shovel, hauled it down to the field, placed it in the hole, and piled on the dirt.

    All that night I kept thinking about all the interactions we’d had with Dobby just that day—the kittens had been starting to “nurse” from him, I’d dropped something and he had come running to inspect it, etc.—and then, just like that, he was no more. Life is over in an instant and we never know when that instant will be… Let me tell you, pets dying at bedtime does not a good night of sleep make.

    It wasn’t until the next day that I realized that Luna, Dobby’s sister, had also been killed on March 9, exactly one year earlier. Creepy, no?

    cats, no more

    Maybe from now on we’ll crate our cats on March 9.

    *** 

    In light of my son’s EMT work, we all got a huge kick out of this clip.

    You’ve all seen It’s Not About The Nail, right? Couldn’t be more perfect, I don’t think.

    *** 

    The other night at supper, my husband sat down beside my older daughter, sniffed twice, and said, “Did a horse pee on you? You stink.”

    After a couple minutes of trying to pretend all was fine, he gave up and ordered her to go change clothes. But when she came back, his nose kept curling.

    “It’s no better!” he erupted. “Go wash your arms.”

    She did, but even so, according to him, the stench persisted, and he eventually relocated to the far end of the table, much to everyone’s amusement.

    That evening after all the kids were in bed, my husband noticed the smell again. “Why do I still smell horse pee?” he thundered softly.

    And then it dawned on me. “Honey, sniff those flowers, why don’t you.”

    He stuck his head over the large bouquet of daffodils in the middle of the table. “Aw, shucks,” he mumbled, picking up the bouquet and heading up the stairs to our daughter’s room where he showed her the root of the horse pee smell and begged forgiveness.

    ***

    *We had sweet and sour lentils, brown rice, leftover corn, and applesauce. And we actually sat down together. What a novelty!

    This same time, years previous: the quotidian (4.6.15), the quotidian (4.6.13), cup cheese, daffodils and horses (Oh my word, would you look at that! I was pairing the two years ago!), cardamom orange buns, my baby’s faces, writing it out, and skillet-blackened asparagus.

  • the quotidian (4.4.16)

    Quotidian: daily, usual or customary; 
    everyday; ordinary; commonplace



    Yet another flop: lemon poppy seed bread with sour cherries.

    Twelve-year-olds can cook: when Mama has rehearsal and Papa hosts a work day.
    With two of his loves: Silverstein and cream cheese.

    First thing in the morning: cooking the leftover hot dogs for his lunch.

    Oodles of horse stuff: from a horse-lovingand very generousgreat aunt.
    Math squats.

    Nature’s hair dryer.
    When the sun shines: kicking up those dirty heels.
    Not sure who won this round.
    April Fools’: and the head strikes again.

    Including the next generation.

    In Grandmommy’s kitchen. 

    This same time, years previous: red raspberry pie, an ecclesiastical funk, sun days, working lunches, the swollen eyeball, the quotidian (4.2.12), three stories, now, oven fries, chickpeas with spinach, my excuse, and spinach cheese crepes.

  • absorbing the words

    It’s always astounded me, the sheer quantity of lines that actors shovel into their brains and back out their mouths. Memorization does not come easy to me, so when I first read through the script, yellow highlighter in my cramping hand, I kind of freaked. How was I possibly going to absorb all those words? With no idea how to proceed, I simply started reading the lines, hoping they’d stick.

    Because I’m not allowing my husband to read the script ahead of time (he prefers to be surprised when he sees the play), and because I don’t want to spoil the fun for anyone else who might come see it, I didn’t have many options for study partners. With the sometimes-unusual Irish turns of phrase, my younger children had trouble spitting out the lines fast enough to suit me; plus, I was concerned they wouldn’t be detail oriented enough to catch my slip-ups. So that left me with my older son (and my mother and a girlfriend who both chipped in once or twice, bless their hearts). I’d drag him out to the porch or corner him in his room to make him run lines with me, our voices quiet so my husband wouldn’t hear. My son was good at it, making me run the longer phrases over and over and over until I flew through them … and then he’d make me do it once more for good measure, the stinker.

    Over the course of a couple weeks—the amount of time it took me to get off-book—I started to notice a method to my memorization: consonants and alliteration and alphabetizing. I was breaking the sentences into sounds and then linking them back together. For example, in my line, It’s not funny, with the Celtic Tiger belly up and people leaping off castles and cliffs, I hear the three “c’s,” and I keep castles and cliffs straight by remembering they’re alphabetized.

    Here’s one I’m having trouble with right now:

    Anthony: Feelings are useless.
    Rosemary: It’s worse in a man. I can’t stand a man with feelings. 

    I can never get that first sentence started, so connecting the “s” sound in “useless” with the “s” sound in “worse,” which is then followed by the “s” is “stand” and “feelings,” helps me to keep things straight; the “s” is like a ribbon, tying the idea into a bundle. I also have trouble remembering “It’s” and “I.” I haven’t worked that one through just yet, but I’ll probably connect the “it’s” to Anthony’s “feelings”—an object that’s out there, apart from me—and then concentrate on bringing the second sentence closer home—how I feel about feelings. It sounds wildly complicated (and remember, I didn’t set out to create this system; it just happened), but it only takes a moment to puzzle out a connection and then the link is made.

    I have no idea if my tactics are good form or not. Actually, I have a gnawing suspicion that they’re not. The other night at rehearsal when we were working through a scene in which I have to say the same thing, more or less, four different ways, I screwed up and served the tea at the wrong time. Everyone hollered at me and the scene screeched to a halt. “Shoot,” I said, slapping the table. “I serve the tea on the fourth time, not the third.”

    There was a moment of silence and then director said, “WHAT DID YOU JUST SAY.”

    From his tone, I immediately knew I had committed a heinous crime. Not wanting to make things worse, I kept my mouth shut and waited for the ax to fall.

    “WHAT are you doing?” the director asked, scrutinizing his script. And then, “Ah-ha. I get it now. You’re counting! You can’t do that, no way! You’ll kill yourself!”

    Everyone started bobbing their heads and tsk-tsking. Clearly, I was a walking disaster, a time bomb, an abject failure.

    “You want to give me a shovel so I can dig a hole and bury myself now and be done with it?” I whined.

    The director then gave me a lecture on memorizing for content and the importance of NEVER COUNTING BECAUSE THAT WILL DESTROY YOU. When he finished, there was a long silence while I contemplated the error of my ways. And then I said, in my most teeny-tiny voice, “Do you mind if I argue with you?”

    “Alright,” he sighed. “Go ahead.”

    “What if counting helps to get the sequence into my head, and then, once I have the patterns and rhythm down, I am better able to focus on the meaning, eventually forgetting the counting technique altogether?”

    “Okay, fine. I see your point. Go ahead and try it then.”

    So yeah. I really have no idea what I’m doing. But I do know that when I opened my script to find examples of how I memorized lines, I had trouble finding them—and I used them for almost every single line! For the most part, all I see when I look at the script now is the meaning, the flow, the feelings. I guess this means that I will (I hope!) eventually forget all my little gimmicks and settle fully into the play.

    Either that, or I’ll crash and burn most spectacularly.

    And now if you’ll excuse me, I need to go run lines with my son. I gave him a driving lesson today, so he owes me one.

    This same time, years previous: wuv, tru wuv, on being together, warts and all, the boy and the dishes, cream puffs, and oatmeal crackers.